The Songs & The Plays - Kean on Shakespeare

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The Songs & The Plays Listen on Youtube Love’s Labours Lost (1593-94) A revised and polished version of this play was presented for Queen Elizabeth I and her court at Christmas 1598. However the elevated language and subject matter of the drama suggests it was always intended for a sophisticated and highly literate audience. There are two parallel plots – one ‘high’ comedy and one ‘low’ comedy. In the high comedy the King of Navarre and his friends make a pact to ‘fast and study’ and to have no contact with women for three years. No sooner have they agreed than the Princess of Aquitaine and her ladies in waiting arrive to discuss ‘state matters’. Inevitably the King falls in love with the Princess and his friends with the French ladies in waiting. The Gentlemen find loophole in their vows and woo and win women with a dance. The Ladies become aware of their broken vows and treat the noblemen with scorn. In the low comedy the page Moth and the clown Costard ridicule the exaggerated m...

Jesús Guridi - biographical notes and my translations

 

Jesús Guridi

1886 –1961 

Born in the Basque province of Alava, Guridi came from a talented musical family. His creative gifts were nurtured through a rigorous training, which took him to Paris, in 1904 and later Brussels, Liege and Cologne. In 1908 he returned to Spain and worked as an organist and chorus director in Bilbao.

As a composer, vocal music was his priority and like Turina he was both a nationalist and a regionalist. His operas were internationally famous and his nine stage works included Zarzuelas based on Basque themes and customs. His compositions brought world attention to the wealth of Basque folk songs and dances, evoking the valleys and mountains in his 22 Basque Folksongs.

He wrote the Seis Canciones Castellanas in 1936, using folk material, which he had compiled for a film score for Jacinto Benavente’s drama “La Malquerida”. The film’s premiere was postponed because of the Civil War. The originality and charm of these songs are considered second only to De Falla’s Siete Canciones Populares Españolas.

Click on the blue links to hear my recording

Cómo quieres que adivine?      Listen on Youtube

How do you expect me to guess

If you are awake or asleep?

Since no angel descends

From heaven to tell me!

How do you expect me to guess?

 

Joy and more joy shall be ours,

Pretty dove, when you are mine.

When you will be mine, pretty dove?

My little bunch of laurel.

 

When I go to the hills to gather firewood,

Olé ya, my love,

And I am caught in a thicket,

And I see the white snow,

Olé ya, my love,

I remember your beauty.

 

I would like for a while

To be the link in your earring,

To whisper in your ear,

What I feel in my heart.

I count the stars,

Olé ya, my love,

To see which one it is that pursues me.

I am pursued by a morning star,

Olé ya, my love,

Small but constant.

 

Joy and more joy shall be ours,

Pretty dove, when you are mine.

When you will be mine, pretty dove?

My little bunch of laurel.

No quiero tus avellanas            Listen on YouTube

I do not want your hazelnuts

Nor your gillyflowers.

For they have turned out to be empty,

The promises you made,

As I fetched water from the fountain.

Since they were words of love,

The water bore them away,

The crystal clear water,

Down to the fountain,

Where you gave me your word

To be mine until death.

 

Allí, arriba en aquella montaña        Listen on YouTube

High up on that mountain,

I picked a cane, I picked a carnation.

A ploughman, a ploughman,

My lover must be.

 

I do not want a miller,

Who loves in corn measures.

I want a ploughman,

To take the mules to plough!

And at midnight, to serenade me.

 

Enter ploughman!

If you come to see me,

Come through the farmyard,

Climb up the orange tree,

You’ll be safe.

Enter ploughman!

If you come to see me!

©Copyright Helena Kean

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